Helen Ström

Posts

Showing posts from 2018

Welcome to my art site!

Here you will find work and reflections about my painting process, which I'm happy to share with others. You can look into the last eight years of work in the "The Archive", here below, or also make a research with a keyword under "Labels". Some posts contains several images, to see click on the post itself.

Please feel free to contact me for any question, or if you wish to purchase or use any of my work.

As I mention further down in this column you can find reproductions of my work for sale on "One Kings Lane's" website. (You can easily get the link by a click on each image in this column.)

Thank you for your visit!

© Copyright on all publications.

INSPIRING MASTERS

Horst Janssen

Andrew Wyeth

Bonnard

Joaquin Sorolla

Sargent

Rembrant

Klimt

Schiele

Lucian Freud

Euan Uglow

Avigdor Arikha

Joseph Van Ruyssefelt

Edward Hopper

Van Gogh

Monet

Helene Schjerfbeck

Anders Zorn

Eugène Jansson

Picasso

David Hockney

Antonio Lopez Garcia

Michaël Borremans

Truphémus

Diarmud Kelley

Wendy Artin

Sam Safran

Lars Lerin

Severo Almansa

Pedro Cano

Juan Carlos Cardesin

Carlos San Millan

Eduardo Alvarado

Mònica Subidé

Paco Lafarge

Miguel Coronado

Alberto Romero Gil

Jean Marie Drouet,

James Jean

Wil Freeborn

Kurt Jackson

Irene Cuadrado

Marta Lafuente

Laura Ríos

Israel Herchberg

Signal Tsabari

Susan Jane and

Chelsea James

among others…

My thoughts about drawing coincides with these statements:

"Drawing from observation is immediate. It requires the feeling: intense sensation, vision, velocity and instant execution. It does not admit any subsequent amendments that we would be noticed inevitably...

When a head, an apple, a tree or a piece of bread, beat and subjugate, the hand will follow and communicate through the line or spot, the visual emotion. It is always the revelation of a truth that the subtle viewer will discern without hesitation."

Avigdor ARIKHA

"Always have a book in hand and note in four strokes the objects that strike you, if you do not have time to fully state it. But if you have the opportunity to make a more accurate sketch, study the model with love, consider it and express it under all its forms, so as it stays in your head, embed it there as your property."

INGRES - "Ecrits sur l'Art"